• Ragnar Lothbrok - The Best Vikings Character

    Ragnar Lothbrok

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    Ragnar Lothbrok - a young Viking warrior who defies the Nordic tradition.
    Ambitious young Viking warrior and farmer who is destined for great things. Disagree with his politics Jarl Haraldsona that respects the Nordic tradition and looting continues in eastern countries. Ragnar is another opinion: believe stories about the rich and fertile lands to the west.

    Ragnar it says that it is similar to the god Odin. He had eye out to gain wisdom, Ragnar would have done in order to know the outside world, who really cares.
    He lives with his wife Lagerthou, who is a respected warrior Shieldmaiden. Together they have two children, a son and a daughter Bjorn Gydu. Ragnar also has a brother Rollo, who is also a Viking warrior.

    Ragnar Lodbrok (Ragnar "Hairy-Breeches", Old Norse: Ragnarr Loðbrók) would be a legendary Norse ruler and hero from the Viking Age who became known as the scourge of France and England and because the father of many renowned sons, including Ivar the Boneless, Björn Ironside, Halfdan Ragnarsson and Ubba.

    According to legend, Ragnar was thrice married: to the shieldmaiden Lagertha, towards the noblewoman Thora Town-Hart and to the warrior queen Aslaug. Said to have been a relative of the Danish king Gudfred or a son of king Sigurd Hring, he became king himself and distinguished himself by many people raids and conquests until he was eventually seized by his foe, King Ælla of Northumbria, and killed when you are thrown right into a pit of snakes. His sons bloodily avenged him by invading England using the Great Heathen Army.[1]
    Ragnar may be the subject of Old Norse poetry and many legendary sagas. While his sons are historical figures, it is unclear whether Ragnar himself existed. Most of the tales told about him seem to originate using the deeds of a variety of historical Viking heroes and rulers.

    Ragnar Lothbrok is :
    brother Rolla
    husband Lagerthy
    father Bjorn and Gydy

  • Vikings - S01E02 - Wrath of the Northmen

    Vikings - S01E02 - Wrath of the Northmen

    Vikings S01E02 Wrath of the Northmen

    Just done watching the second episode and think it has all of the hallmarks of a classic. Well acted, well scripted and also well paced. Amazing, superb story line, gripping from the start, great fight scenes, twists and surprises all the way. Excellent performing, filmed at stunning locations! produce more please. Its the best series I have watched for a long time, since band of brothers!

    Ragnar and his men choose to sail west behind Lord Haraldson's back. Unbeknownst for them, one of Haraldson's spies sees them depart on their journey, which takes hold motion a plan for Haraldson to make them purchase their disobedience if they return alive.

    Last week in the premiere for Vikings, i was brought to real-life historical figure Ragnar Lothbrok (Travis Fimmel) and the allies and enemies, along with the motivations behind why he desired to sail west. It's the 8th century and Ragnar is tired of being just another Viking, yet another warrier, just another farmer. He's heard of the riches to the west, of great lands no Viking has seen, and he wants it all. The fame, the riches, the glory.

    Vikings - S01E02 - Wrath of the Northmen

    Vikings S01E02 Wrath of the Northmen

    However he lives between a people occur their ways, and dominated by an innovator, Earl Haraldson (the fantastic Gabriel Byrne), who doesn't even want to learn about riches to the west, yet alone spend your time and resources trying to find them. So as the first episode is spent with Ragnar convincing his allies that he's capable of finding England, episode two is spent convincing individuals to come with him, and eventually, making sure they do not die on their journey.
    As "Wrath of the Northmen" begins, Ragnar has his boat, he has his fancy compass device, and he has Floki and his brother Rollo, and that he convenes a secret meeting to get the rest of his flock ready for the trip. Earl Haraldson discovers quickly not to mention enough, but he finally decides to let them go, convinced that they'll die on their journey, or at the minimum, won't find anything on the other side of the journey.

    While the first episode from the series provides for us the backdrop we needed concerning the Vikings and who they were as a people within the confines of their community, as well as their politics and socializations, episode two eventually shows us a totally different side of the identical characters. We'll discover their whereabouts in battle in no time, but we also obtain a better consider their beliefs and their Gods.

    Vikings - S01E02 - Wrath of the Northmen

    Vikings S01E02 Wrath of the Northmen

    The connection they have with Asgard and their Gods is really a mysterious one. Everything that happens on their own trip is interpretable to them. Lightning strikes, and Floki wonders be it punishment from Thor, or perhaps a celebration of his people's accomplishments. Things end up getting rather dire around the open sea, and one person on the boat wonders whether it's just one of Loki's tricks. Just like within the first episode, the Gods will always be there, because the characters think about their intents as well as their actions.

    But their faith in their Gods is reinforced as Ragnar and the boat eventually hits a brand new land, much as he had promised. They come across a monastery along with a conclave of monks, but they aren't worried about meeting new people. They just wish to pillage and kill. Anybody who knows anything about history should know what's coming, because the monks do themselves, but it's still rather shocking to determine those who are supposed to be our protagonists savagely murder men of the cloth, keeping but one as evidence of their voyage.

    We see signs of this savagery earlier, mainly through Earl Haraldson's complete disregard for a lifetime cheap Ragnar's impatience easily becomes to murder when someone goes against his word, but the final fifteen minutes of the episode, because the murder, pillage, steal, and desecrate another people's God, is really powerful. I believe the defining early moments from the series are still in the future within the next few episodes, but "Wrath of the Northmen" gives us a taste of what a lot of people were likely expecting from the series in the very first moments. War, action, along with a consider why is the Vikings the memorable people these were.
    And thus far in 2 episodes, creator and writer Michael Hirst has done a great job of keeping totally everything within a certain shade of gray.

    Vikings - S01E02 - Wrath of the Northmen

    Vikings S01E02 Wrath of the Northmen

    Within the first five episodes that I have seen thanks to screeners, I've found myself constantly wondering why I'm cheering for Ragnar. He shows signs of humanity, but it's clear that he's mostly concerned with glory more than anything. Through that quest for glory is also curiosity, and I think that's what winds up balancing him. Travis Fimmel does a great job of portraying this balance, as we said within our analysis a week ago, but in episode two, this becomes clearer because he begins to communicate with Athelstan (George Blagden), the monk who he returns with him.

    The very best word I'm able to use to describe Vikings is compelling. It gives us what appears to be a rather accurate glimpse into a people who don't get their due on television or perhaps in movies, and Hirst makes no effort to glorify them as pioneers, only as warriors and fighters, and I think that sets it apart. You've sufficient cause to cheer for Ragnar and his fellow warriors if you can accept the fact that they're pretty nasty people.
    If Vikings can continue to deliver with that balance, it will continue to be a success. While it still has some kinks to work it, "Wrath of the Northmen" is a clear improvement over the pilot, mainly in the places where it gives us the experience the audience needs for a show like this.

  • Vikings - S01E01 - Rites of Passage 2013 Reviews

    Vikings - S01E01 - Rites of Passage 2013 Reviews

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    I have been getting excited about a viking film or TV show for several years, and when my wishes were finally granted, I was very worried this production was going to be total crap. After viewing the first two episodes I do not be worried about that any longer.

    I really enjoyed this first episode. Writing is powerful. Acting is nice and more importantly I am really fascinated by the characters. Probably the most impressive thing even so was the look of the show. Photography, art direction and merely whole look is really lush and rich appears like an element film. Cannot watch for episode 2! Both Travis and Gabriel Byne both shine in their roles. I actually do hope a season 2 is in the works. I have read a lot about vikings and that i can easily see the makes really visited great lengths to bring the real viking methods to the screen. Particularly the religion and gods. I am a fan GOT and this show is great that it delves in to the ancient world, however this show has a different flavor. Far more raw and intense, but still having a great magical feel to it.

    Rites of Passage 2013 Reviews

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    As a person of some historical knowledge of the viking era, I'm able to point out numerous flaws - however they don't ruin the story for me, and so i will let them slip. Historical accounts about those days are, in the end, not entirely reliable.

    Pleased to see Travis Fimmel inside a role that totally suits him. An actual and intense character, with that spice of humor that is the viking trademark from the sagas. Gabriel Byrne plays a stern leader, that made me think of him in "Prince of Jutland", and Clive Standen seems like he will surprise us.

    Been considering the sport of Thrones comparison, since I love that demonstrate too, but in my opinion Vikings has its own thing happening. Way fewer lead characters to begin with, in addition to a more straight forward approach. Plenty of room for additional series with this top quality!

    Vikings - S01E01 - Rites of Passage

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    Probably it's not real 100 percent history. Some liberties were taken, but for the most part is seems to ring true.At times it almost seems like a contemporary crime drama, but the facts are there-the raids on British monastaries that did occur in the late 8th century, a fairly realistic depiction on what Norse life was most likely like at this timeline, the spectacular countryside using its majestic forests and rivers, and also the depictions of the Vikings themselves. Savage, wanting to loot and plunder, however bound by a sort of code of honor.

    Their acts are savage and also the chieftan seems a lot more like a medieval Godfather who uses his power for his own personal gain and who is not above killing somebody at that moment if he is displeased together with his actions. The tale is rather literate and not the typical mindless adventure that too many of these movies present to us, and also the characters are convincingly drawn and sure motivated. The music is good and also the full size replicas of the ships are extremely accurate. The deliberate pace works to its advantage, we're never rushed and the story develops as it moves along. It is never dull and there is lots of interest to interact the viewer. Nevertheless, if you're put off by graphic violence , never watch it. Days past were fairly cruel. Good entertainment .


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    There has been a couple of negative reviews posted relating to this show and that i have to say that whenever 2 episodes, I really like it... nit pickers may state that you will find historical inaccuracies, but there's also many myths dispelled, along with the appearance of Valkyrie on the battlefield in the beginning of episode 1 to consider fallen warriors souls, if you aren't deluded and have confidence in that being informative it was clear from the very beginning that there was always going to become some dramatic license used. Others say the show is too Hollywood, this has to be the case to some degree but in no way is this another mass produced bit of garbage, if you don't want the show cancelled after the pilot it has to attract full of American audience as entertainment it isn't a documentary.

    Vikings - S01E01

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    Personally, i feel that the show Comes with a eu feel which is absent in lots of historical dramas, the locations are beautiful, the cast has been well chosen and act their parts fantastically well. The good guys are instantly likable where as unhealthy guys you simply can't wait to determine them get whats visiting them, that's always a good sign so far as I am concerned as i need to see what goes on to them and am looking forward to the following episode. So don' be overwhelmed by the pedantic armchair historians out there give vikings an opportunity.

  • Vikings - Rites of Passage - S01 E01

    Vikings S01E01 Rites of Passage

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    Vikings follows the adventures of Ragnar Lothbrok the greatest hero of his era. The series says the sagas of Ragnar's gang of Viking brothers and the family, as he rises being King from the Viking tribes. In addition to being a courageous warrior, Ragnar embodies the Norse traditions of devotion towards the gods, legend has it he was a direct descendant of Odin, the god of war and warriors.

    Farmer, family man and rebel Ragnar Lothbrok is determined to sail west to find out new lands and riches regardless of an intimidating warning from his village's tyrannical leader, Lord Haraldson, who causes it to be clear in no unknown terms that doing this could result in severe consequences.

    What is most unexpected regarding pilot episode “Rites of Passage” is that, despite its taste for blood and full-bodied thirst for mud-of the shit-proliferate variety-it’s a screwing tough bore. Unfortunate given the show’s pedigree; created by The Tudors showrunner Michael Hirst, he of super-sexy historical fiction, and directed by Johan Renck, who once designed a Knife video, Vikings buttons in the stupid libido-first initiative which steered The Tudors and sets its sights for some thing respectable. But what was perhaps usually apparent concerning the Tudors is now writ in elaborately shit-splattered, giant runes by Vikings: that beneath everything weird sociopathic fucking by gorgeous aristocrats would be a dumb puritanical bent along with a real small plot.

    Rites of Passage

    However probably you’re straight into silly haircuts. In that case, Vikings is a lot more chock-full of half-shaved skulls, mullets, asymmetrical mops, and Willie Nelson braids compared to smokers’ circle huddled in the cold outside a Williamsburg dive bar.

    Vikings is of the identical loins as Spartacus: Blood and Sand for the reason that it attempts to pass its slow-mo hyper-stylized grittiness as some unflinching, in-thy-face realism-but at least Spartacus had a far better sense of humor by what it was really peddling. Vikings has nobler aims. It tries to separate the traditional art of hero-building from the violence and fornication of the beasts shitting in the mud that covers the majority of the characters’ foreheads. More than once a character is called a “great warrior” but not a great man, driving a moralistic wedge between what could stand as perhaps an anachronism from the society the show’s portraying and the brutality built into that society’s every day. It’s a fine enough idea, that the real heroes of Vikings are those who discover a way beyond the demand for violence, but it’s also pretty dull when the only thing remotely exciting that happens in its first hour is really a messy skirmish-right at the beginning of the episode-that leads to one sweet-ass spear killing. Just one. Never enough spear killings, is my number 1 rule.

    Vikings plot

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    The guy who throws the spear is Ragnar Lodbrok (Travis Fimmel), a Scandinavian warrior whose formidable spear-throwing acumen is only matched by his love for his family, wife Lagertha (Katheryn Winnick) and son Bjorn (Nathan O’Toole), who Ragnar insists, as the series opens, join him in his semi-annual sojourn to Kattegat, where Bjorn will go through the titular rites of passage to become a man—which basically includes licking a sword and then mouth-kissing the local Lord’s wife—and where Ragnar will learn where he and his fellow Vikings will go to rape and pillage next. Lagertha of course thinks that Bjorn is too young, but Ragnar knows that his son is ready to join the fellowship of grown rapers and pillagers. Bjorn, for his part, greets his parents’ argument as he does most of what happens throughout the series, with a mixture of confusion and concern:
    Bjorn on Vikings

    It needs to be known that in that screencap he’s telling his uncle that his parents are having sex. What he doesn’t know is that his uncle Rollo (Clive Standen) includes a secret jones for his mom, that will undoubtedly make for some familial tension later on episodes, but for now simply seems yucky, because most likely poor people kid just unsuspectingly made a deposit in the uncle’s spank bank.

    In Kattegan we meet up with Earl Heraldson (Gabriel Byrne), local Viking chief and steward, in addition to his odd, ugly henchman, who are released like Dick Tracy villains. There’s Ole Rumbleface:
    Earl Heraldson on Vikings

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    it’s no spear, but it’ll do in a pinch.

    Byrne doesn’t attempt way too hard to play Heraldson like a warped and crinkled autocrat to satisfy his own unique ambitions, specifically dispatching a clansman to the chopping block after which publicly forbidding the headless schmuck’s soul to become listed on the gods in Valhalla. It’s an offend Ragnar obviously isn’t too interested in, realizing Heraldson just had the man put to death to be able to claim his lands. After which Heraldson goes and announces that Ragnar and the Viking pals continues to set on raids in the east, rather than venturing into the unknown lands of the West, that is where Ragnar really wants to go. Ragnar seethes with bitterness, which looks a bit like this:

    Ragnar seethes with resentment

    Imagine, Ragnar includes a plan to eventually plunder the heretofore unplundered riches of future England and Ireland, having grasped the sly some futuristic devices from some shadowy characters that will help him navigate in to the unknown West. Ragnar rebuffs Heraldson’s insistence ongoing East before all of Heraldson’s men…which is how that above-referenced knife intimidation comes in. Because Heraldson’s real pissed, and thus orders that Ragnar’s followed. Dude must be up to something.

    And that he is: with help from insane forest denizen and mystical shipbuilder Floki, Ragnar and Rollo enter into the having a brand new type of longship, one capable of easily going over the western waters and showing the stress of a potentially trying expedition. Behind Heraldson’s back, the 2 successfully test their state-of-the-art craft; bursting with pride, Floki then finally lets his hair down and discloses his true personality: Keith Richards, Time-Traveling Immortal.

    Keith Richards, Time-Traveling Immortal

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    In the mean time, Ragnar is aware he’s undertaking what he’s said to be doing while he retains getting weird visions of Odin, wreathed in ravens, which appear to be omens to me, however i guess aren’t. Exactly what do I'm sure. Heraldson is also affected by visions, however his are viscous nightmares of wherin he discovers a mass grave. At the bottom are his sons, their corpses naked and greening beneath an enormous tree similar to Yggdrasil, glowing prodigiously amidst a sheen of ectoplasm.

    Vikings picture
    It’s a really stunning, as well as fairly awful, picture, and also efficiently starts to dig in to the psyche of Ragnar’s probable foil, but like the rest of the episode’s striking and epic visuals, it’s a distraction from the simple ideas available. In fact, Vikings’ incessant pinging of mythological buzzwords and cultural touchpoints merely emphasizes how ordinary it's at its heart, that it’s little more than a hero’s journey numbed to the marrow by the discipline required to keep as far away from sexy indulgence as possible.

    Nevertheless, this is only the pilot, so that as Ragnar and Rollo and Keith prepare to defy Haraldson to forge a courageous path in to the wonderful, western yonder, we all know that when-because they will-get there, they’ll pillage and rape the area into the stone age. And what does which means that for Lagertha, who has been recently attacked when while Ragnar was away, in a position to drive the attackers away but nonetheless a potential victim just like the many people Ragnar sets to similarly victimize? It’s a tall order for Vikings to pull off, to in some way develop a legend from that. But that’s been the problem with super-sexy historical fiction anyway: that it appears to have not one other option.


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